
M Coast - Say It In Slang - CD
(Happy Happy Birthday to
Me Records) I really like the album art, but it's really quiet. I wish
I hadn't lost the disc. I think I might pick this one up, though, for two
reasons: instrumentation (there are apparently flutes galore, cellos, violins,
glockenspiels, saxophones, recorders, and trombones on this CD, for chrissakes),
and the aforementioned CD art. I used to turn myself on to new music by
judging the album covers, and I got a whole lot of freakin' awesome Yes
out of that experience (omigodi'mpeakingandit'sasynthsolo!). I'm guessing
that this band sounds nothing like Yes, though, since their album
cover has nothing to do with weird mushroom-cities. Hey, that's cool, too.
-- Jeremy Mutant (2006)
M.I.C.E.V.E. - Frowns - CD
(MIC EVE) A
rapper who actually has something to say instead of the lame old braggadocio
you hear on most modern rap releases. MICEVE has a lot to say about
how he sees the world and the social injustices contained within. He touches
on police brutality, struggles of single women, prostitution and a host
of other problems. I can’t say I agree with everything he says, but that
doesn’t matter. The fact that he’s throwing it out there and stating his
point is important. This isn’t really my style of music, but I have a lot
of respect for MICEVE and his talent. Now to help find solutions.
-- Grog Mutant (2008)
Greg Macpherson Band - Good Times Coming Back Again - CD
(G-7 Welcoming
Committee Records) This is quite a departure from what I'm used to hearing
from G7. This band has more of a traditional rock leaning instead
of punk tendencies and the singer has an uncanny resemblance to the singer
from the Counting Crows on a number of songs. A few of the songs
are upbeat but most are slower, haunting melodies that tell stories about
different pieces of real life. I really like this release and think it is
a welcome change from most of the typical music I get in from punk / hardcore
labels.
-- Grog Mutant (2002)
Madcap - East to West - CD
(Side One Dummy Records)
I liked Madcap, but didn't really go over the top for them. They
were like a watered down version of the DropKick Murphy's. they had
that classic street punk sound, but nothing to really back it up and nothing
more that the standard sound that been around for 25 years now. They are
a decent band, but there are plenty of other street punk bands out there
that can do it a whole lot better.
-- Grog Mutant (2002)
Madonna - Hard Candy - CD
(Warner Brothers)
There are instances where you need to separate the artist from the person.
Madonna is one of those people that you must do this for. While I’m
not a big fan of her persona, I will have to say that her music on this
release is catchy and pretty damn good overall. Yes, she had help from Justin
Timberlake, Timbaland and others, but as far as her target audience
goes, they are wise choice for collaborators. It’s similar to older artists
working with Rick Ruben to help revitalize and modernize their sound
for a younger audience. “4 Minutes”, “Candy Shop”, “Devil Wouldn’t Recognize
You”, “Spanish Lesson”…. all incredible tracks. This CD is packed from start
to finish with dance club goodness.
-- Mite Mutant (2009)
Majestic Twelve - Majestic Twelve - CD
(Records) Fronted by the warbley voiced troubadour Kenyatta, Majestic
Twelve has the feel of a band fronted by a singer-songwriter. The tunes
are so infectious that you will find the songs milling around in your head
hours after you stop listening to it. A prime example is the tune "I Don't
have a Job", which has a vocal presentation similar to REM's "It's
the End of the World". The lyric "Jagermeister, Jagermeister, Jagermeister,
Yea," wouldn't let my brain be. With sea shanties, a cappella laments and
songs about drunk drivers you can't go wrong listening to the CD.
-- Mite Mutant (2004)
Majestic Twelve - Schizophrenology - CD
(Records) Majestic Twelve bares their teeth and gets a bit socio-political
on this yet to be released gem. The light and poppy sound and distinct vocals
are still present; they just seem a bit more pissed off at the state of
things in the world. I don't have a current track listing so I'll do my
best with the song titles. Track number 10, "American Rage", is a perfect
summation of the feel of this release. "Condoleezza, Check my Posse" has
a bouncy '80s synth sound, which name checks the political miscreants of
the day, will hopefully be dated pretty quickly. The song is great, it's
just that I hope the politico's it names will be gone. I also enjoyed the
rush hour rhythm of "Welcome to the City", The folksy rock-poppiness of
"Cry", and the melancholy voice and piano tune "Baby Jesus". Another excellent
release from this North Carolina band.
-- Mite Mutant (2006)
Huntington Majors - Napoleon Solos - CD
(Huntington Majors)
Do you like long pointless guitar solos? How about if the solos are the
whole song with a slight bit of feeble bass & drums backing them up? If
you said yes for some odd reason, then Huntington Majors is for you.
This sounds like a 15 year old playing masturbatory guitar solos in his
basement.
-- Maximillion Twist (2006)
Make A Rising - High Two - CD
(Make A Rising)
The term “Indie Rock” seems to have been created for all of the music that
defies a label. Make A Rising even seems to slip through the cracks
of Indie Rock- it's folksy progressive prog-rock that I would say is in
the vein of the Polyphonic Spree with a bit of Feist and the
Arcade Fire. Even then, it's difficult to make a comparison- some tracks
such as “How's 'Bout a Love Supreme” start out like a fairly normal ballad,
devolve into mad tambourine bashing and chanting, and then come back to
reality with a piano followed with the whole of a marching band. Think of
the Beatles when they went on their Magical Mystery tour- it's a
bit like that. Make a Rising really don't seem to care about the
rules, which is what makes this album so different. Sometimes I wasn't quite
sure what was going on, but the ride was pretty damn fun.
-- Tempus Mutant (2009)
Malefaction - Crush the Dream - CD
(G7 Welcoming
Committee) Social political grindcore. Bark, bark, bark. 23 songs in
25 minutes.
-- Grog Mutant (2001)
Malefaction - Where There is Power, There is Always Resistance - CD
(G-7 Welcoming
Committee Records) These guys have some great vocals, but I couldn't
tell it until I looked at the lyrics. Malefaction play grindcore
(or whatever it's called now) and scream / growl about the evils and unfairness
in the world. They bring up good, valid points however I could only listen
to so much before I took to just reading the booklet. Most of it comes off
against the war on terror or more accurately the abuse of human rights due
to "security". Good thought provoking lyrics and ideas that will probably
only get heard by those who already feel this way due to the style of music
they are presented with to the public.
-- Grog Mutant (2003)
Bill Mallonee - Perfume Letter - CD
(Paste Records P.O. Box 1606 Decatur, GA 30031) For some reason Robyn
Hitchcock kept popping to mind, while I was listening to this release.
The style is singer/songerwrite, but not in a folksie kind of way. Right
from the beginning I was hooked. "She's So Liquid" is just one of the gems
that make up this music treasure chest. This is one of those CDs that you
will want to listen to from beginning to end, over and over, because all
of it is good.
-- Mite Mutant (2003)
Michelle Malone - Hello Out There - CD
(SBS Records)
This is music! "Caffeine and Catharsis" has a Dave Matthew's feel,
and the presence of Emily Saliers does give it an Indigo Girls
mood at times. But well-written songs and strong vocals will keep you coming
back for more.
-- Regan (2001)
Moanin' Michelle Malone & The Low-Down Georgia Review - Stompin' Ground
- CD
(Daemon Records)
Michelle Malone, is a great chick artist who's music has a great
bluesy feel combined with a country sound, you know, back when country was
still good. Many of the songs have the feel of a very passionate jam session.
A couple of songs reminded me of something that the Black Crows might
perform. Michelle sings from the gut. Her incredible voice mixed with the
genuine and emotional sound of the music is Americana at its best.
-- Simi Mutant (2003)
Man - Machine - CD
(Times Beach
Records) Described as minimalist punk rock, I found this band to sound
more like high school angst light. When the songs try to be funny, they
fall flat. When the try to be poignant, they sound like high school whine.
There was a hint on potential on songs like "Machine", but in the end the
screaming vocals just got on my nerves. There were also a couple of songs
that had me thinking of Suicidal Tendencies "Institutionalized" in
the way the vocals presented the lyrics. Overall, this band did little for
me.
-- Mite Mutant (2003)
Man of the Year - The Future is Not Now - CD
(Loveless Records)
A lovely pop sound with just a touch of synth. The vocals interchange between
the two lead male vocals, which sounds hauntingly similar to the old Dayton
band Glee & Beek (David Poe & Morgan Taylor), and I would believe
this is what they could have ended up sounding like if they had stayed together.
This is one terrific CD and I suggest that you give it a listen for yourself.
You won't be disappointed
-- Mite Mutant (2001)
Monica Mancini - Cinema Paradiso - CD
(Concord Records)
This is a concept album where Monica Mancini sings songs from various
movies. When I started listening to this release, it reminded me a bit of
the concept album Am I Not Your Girl by Sinead O'Conner. However,
the deeper I got into this release the more disappointed I became. The music
is good and the vocals are wonderful, but every song is given the same treatment,
which always makes for a drab release. If it weren't for the silent break
between the tracks, you would think that this CD consisted of only one long
tune.
-- Mite Mutant (2002)
Mandell, Eleni - Thrill - CD
(Space Baby) I had
the esteemed pleasure of running sound for Eleni in Cincinnati in
the spring of 2001. I immediately fell in love with her fresh acoustical
guitar styling and songwriting. The first song on this release, "Pauline"
immediately made me think of the tune "Johnny Hit and Run Pauline" by the
legendary band X. Eleni is comparable to Johnette Napolatano
meets P.J. Harvey, but done with an acoustic guitar doing songs in
an almost cabaret style. I can't wait to see her again, and hopefully I'll
be able to get an interview with her for the next issue of the ChickenFish
Speaks.
-- Mite Mutant (2001)
Chuck Mangione - The Best of - CD
(Universal
Records) Mangione is known for playing the flugelhorn and creating
some melodies that brought jazz into the mainstream and even today have
him in a reoccuring role on King of the Hill. His most famous song
"Feels So Good" is here in its uncut form which runs nine minutes instead
of its radio version which runs at just over three. His other wellknown
song "Children of Sanchez" is also included as well as eight other tunes
which aren't that well known by anybody outside of the "easy-listening"
and jazz world. If you're in a mellow mood or just like easy-listening then
this is for you, otherwise it could be painful.
-- Grog Mutant (2002)
Mike Mangione - Tenebrae - CD
(Mike Mangione)
Mike Mangione has a singer-songwriter style to his music with a bit
of soul attitude thrown into the mix. Mike takes a laid back approach to
many on the tunes on this release, the strongest of which is "Last
Tune", which has an mid 70's soulful grove to it. Still my favorite
tune on this release is "Song 4", which comes across as a light
cover of a Black Crows tune.
-- Mite Mutant (2007)
Manic Hispanic - The Recline of Mexican Civilization - CD
(BYO Records) Listening
to this release I realized how much of how the character of Cheech of Cheech
and Chong has became the dominant stereotype of the comical Mexican male.
The songs on this release are nothing more than the "Cheech" character doing
parodies of various punk and alternative songs. Songs like "Chinese Rocks"
become "Mexican Tar" and "If the Kids are United" becomes "If the Vatos
are United." A very simple formula that works if you enjoy and find humor
is that sort of stuff.
-- Mite Mutant (2001)
Manifesto Jukebox - Remedy - CD
(BYO Records) This
is excellent! It sounds so much like Husker Du it's incredible, the
singer even sounds like Bob Mould on the first track "Inadequate".
On other songs the vocals have more of an Avail sound to them, but never
break into that melodic hardcore style. This is what keeps me doing reviews.
Sure, I have to wade through a bunch of lame disks, but every so often I
get something like this and everything is alright. If you miss Husker
Du or never heard them, get this disk now and see what the fuss was
all about.
-- Grog Mutant (2002)
Kate Mann - Things Look Different When the Sun Goes Down - CD
(Orange Dress Records)
"In Review"
-- (2009)
Paul Manousos - For Better Or Worse - CD
(Shock & Fall
Recordings) The music of Paul Manousos has an early '70s acoustic-rock
feel, but with more bite. The vocals are a combination of Tom Petty
& Mick Jagger with a pinch of twang to them. The music reminded me
of a Van Morrison, Eagle Eye Cherry combination, with a semblence
of Elvis Costello song structure, especially on the title track.
This is one solid CD that's definitly worth the price of admission.
-- Mite Mutant (2006)
Marah - Angels of Destruction! - CD
(Yep Roc Records) This
is an interesting release that appeared where I work. Nobody claimed it
and they all figured it was mine since I always have an over-abundance of
music they’ve never heard before. One oddity is that after the songs there
is a marker showing what key it was performed in. Very cool and I don’t
think ever seen outside of classical music.
Marah plays a very interesting and diverse mix of music starting off with “Coughing Up Blood” (in A Minor) that has a great lo-fi sound mixed with elements of 50’s rock and late 80’s indie rock. My favorite track is the softly driving “Angels on a Passing Train” which blends the best of the Pixies, the Replacements and Tom Waits in a minor key and occasional accordion. In addition to the aforementioned bands I hear a bit of Randy Newman on songs like “Can’t Take It With You…” but it only adds to their overall charm.
This is one of those releases that you just can’t get bored of since it
glides through styles effortlessly. Still there are common elements that
hold things together and keep the base of Marah grounded somewhere
in the wide realm of indie rock.
-- Grog Mutant (2008)
Leigh Marble - Red Tornado - CD
(Laughing Stick Records)
"In Review"
-- (2007)
The Marbles - Seduction - CD
(Break-Up! Records)
A great '80s sound that is a bit reminiscent of early Kim Wilde.
The songs are catchy and very poppy. The best thing is that they are from
Columbus, which means that I will actually be able to see them live. There's
even a cover of the Holly Vincent tune "Wanna Go Home", who was interviewed
in an earlier issue of Mutant Renegade.
-- Mite Mutant (2001)
Justin Marcus - Ask Me How Do I Feel - CD
(Justin Marcus)
If I was at a jazz bar and Justin Marcus was singing, I would listen
and enjoy his music, but I would have no desire to buy his album. This is
an okay album, but nothing special.
-- Simi Mutant (2007)
Mitch Marcus Quintet – The Special - CD
(Mitch Marcus
Quintet) This release started out nice enough with nice ‘60s style jazz.
Then they decided to get weird and put in a warped tape guitar sound. I
couldn’t take it and immediately skipped to the next tune. Here the quintet
tries too hard at free-form and things start to sound too chopped. This
choppiness, where improvised notes just ruin a nice music bed seems to plague
most of this release. While I did like pieces of songs, on the whole I just
couldn’t take it.
-- Mite Mutant (2007)
Marilyn Manson - Holywood - CD
(Nothing Records)
This marks the return of the old style of Marilyn Mason after his
last albums foray into glam. While it is dark and gloomy it is missing something.
Nothing about it really draws me in and makes me want to really listen very
closely. As a backdrop it's OK, but nothing that will captivate me. Other
than that I do find the cover and other photo images very disturbing, which
I assume is the intention since Manson is very much about the "image".
The bottom line is he upholds his image, but doesn't bring much else with
it.
-- Grog Mutant (2001)
Marion Square - Draw the Line - CD
(Marion Square
Music) Marion Square is a blues based rock band with catchy hooks
and a female singer with a slight lilt in her voice. The songs are all pleasant,
but never really move out of the background and grab me. I really can’t
put my finger on what they’re lacking since they are talented, have decent
lyrics and the singer has a good voice. Overall a decent band that is one
hit short of being a one hit wonder.
-- Grog Mutant (2008)
Graig Markel - The Gospel Project - CD
(Pattern 25 Records)
There's so much potential with this artist, however he doesn't reach it
fully on this release. Graig is a great musician, but he made a mistake
playing all the instruments by himself. The result is a CD full of flat
recordings that just hang there. I do like the tune "Shanghai" and think
it's the only tune that works on this release. My suggestion to Graig
for his next recording is to get a band of strong musicians to back you
up and have someone else act as a producer. This will add punch to the acoustical
alternative feel of his tunes, and will make me a huge fan.
-- Mite Mutant (2002)
Bob Marley & The Wailers - Natty Dread - CD
(Universal Music) With
Natty Dread you get the classic tune "No Woman, No Cry" which also
happens to be one of my favorite Bob Marley songs.
-- Mite Mutant (2001)
Bob Marley & The Wailers - Catch a Fire - CD
(Universal Music) Catch
a Fire contains another Peter Tosh penned tune, "400 Years", and
is also a mellower release. It also has one of those songs that I completely
misunderstood when I was younger. When they sang the chorus to the song
"Stir It Up" I always thought they were singing "serious".
-- Mite Mutant (2001)
Bob Marley & The Wailers - Rastaman Vibration - CD
(Universal Music) The
Rastaman Vibration CD is a bit on the mellow end of the spectrum as compared
to the other Bob Marley releases. None of the tunes really stood
out that much, still it's a nice CD to relax to.
-- Mite Mutant (2001)
Bob Marley & The Wailers - Burnin' - CD
(Universal Music) Burning
has the classics "Get Up, Stand Up", "I Shot the Sheriff", plus three bonus
tracks. I've played this release sooo many times now getting into the groove.
As a side note, Peter Tosh, the co-writer of "Get Up, Stand Up" is
on this release.
-- Mite Mutant (2001)
Bob Marley & The Wailers - Live! - CD
(Universal Music) What
did I do to deserve to get not one, not two, but four Bob Marley
releases in. Re-mastered with bonus tracks and complete with original artwork,
these releases are a must for music lovers. Needless to say all of these
releases are awesome. I mean, Bob Marley isn't such a huge icon just
because he smoked a lot of ganja. Yup, these CD's took me back to the days
when I lived in Yellow Springs and my neighbor would blast her Bob Marley
CD's every morning. She in turn would enjoy the playing on the drums that
would come from my apartment in the evening. Those were good times.
-- Mite Mutant (2001)
Bob Marsh - Viovox - CD
(Public Eyesore)
Bob Marsh's collection of "rantings, ravings, sermons," etc. has
an explanation printed on the inside cover, citing the brands of his equipment,
Rosie the Riveter, and an open invitation to "complete" anything one finds
missing from his work. I don't think Bob really needs to explain himself;
I think he is just being kind to those who will wholly reject what he is
doing. I don't think this sort of exercise in the experimental genre can
be explained, nor would I condone such a thing if I thought it could be
done. Experimental music, like any experimental art form is more defined
by what it is not. Sampled loops and processed instruments (cello and violin
mostly) create a very ethereal bed from which to experience the uneasiness
of being uncomfortable, in the best possible way. Challenging the listener
and participating in the more encompassing exercise of doing the work that
one finds fascinating (or unavoidable) is quite an admirable undertaking.
Mr. Marsh reminds me of Richard Foreman, for those of you
into experimental theater. In fact, VIOVOX could be the sound track for
one of Foreman's plays. A process described by Foreman as
"laboratory-like work that obsesses [him], luring [him] deeper and deeper
into the particular truths [he feels] driven to explore". VIOVOX isn't for
the faint of heart.
-- Sitcom Serf (2008)
Adam Marsland - Daylight Kissing Night - CD
(Karma Frog) Well,
at first I was wondering how this could be called a greatest hits release
when I've never heard of this guy before. Sure it's not like I know everything
about bands, but this came from left field. While listening to the release
I read a bit about him and his varied musical history. He has played in
many bands with many styles. However, what I get from this release is less
than great. I'm happy that he's been able to make a living off playing music
for quite some time and really enjoys it. I happen to find a majority of
his songs lightweight and somewhat annoying. The most worthwhile thing I
found on this disc was the song "Ginna Ling" along with the email that inspired
it. It's a great tribute to a girl he hardly knew who died before her time.
-- Grog Mutant (2008)
Carol Martini - The Rose In The Boxcar - CD
(Carol Martini) I hate to say it, but there is a certain female singer/songwriter
sound and lyrical content that I just can't stand, and this CD is a perfect
example of that. Falling under the term "women's music" this reflects the
most cliché of the genre. The acoustic guitar is repetitive and so is the
subject matter in some cases. The tunes "Biker Chick" and "Surfer Chick"
reflect that well enough. While I'm sure the songs mean a lot to Carol Martini,
they just don't do much for me.
-- Mite Mutant (2007)
Marc Martino - A Story - CD
(Marc Martino) "In Review"
-- (2008)
Mary-Kathryn - Dreams & Visions - CD
(Rhythm House Records)
Mary-Kathryn is among the group of new-age world music releases we've
received lately. Hers is better than most due in part to her voice, which
really is captivating. A few of the songs tended to get on my nerves after
a while due to them sounding so New Age and trite. Some of the better tunes
bring in a Middle Eastern influence and really have a nice sound to them.
Overall this falls a bit too far into the adult contemporary pop spectrum
for me to listen to for very long. However, it is good for what it is and
can easily make some great background music for most relaxing situations.
-- Grog Mutant (2007)
Jana Mashonee - New Moon Born - CD
(Miss Molly Records)
"In Review"
-- (2009)
Dave Mason - The Definitive Collection - CD
(Universal
Records) I sure wish I could like Dave Mason. He played with
Traffic, and even a post-Lindsey Buckingham Fleetwood Mac
- but I'd almost rather hear Elmer Gantry's fake "Fleetwood Mac" imposter
band than Dave Mason's uneven tripe. Not to complain: when he's on,
he's solid as a rock. It's just that his songs aren't all that interesting.
The first half of this anthology arguably contains the best music. But buyer
beware: "We Just Disagree" is one of his best songs, and was certainly his
biggest hit, and it isn't even on this supposedly "definitive" collection.
Do yourself a favor and get The Ultimate Collection instead, if you really
want to wallow in this sort of brown-colored Seventies mild, slushy-rock.
-- Jeremy Mutant (2006)
Court Mast - Sausalito Summer - CD
(Jazz Vista) Out
of the many jazz discs we receive in this has to be one of the most expressive
to me. From the extremely catchy melody in "Bridgeway" to the rhythm in
"West Wind" that has me thinking of watching a couple ice skate, these songs
are full of vivid musical description.
-- Grog Mutant (2008)
Matchless - You Shaped Curve - CD
(Matchless) Matchless
reminds me of the great late 80's college rock band Live Skull. They
have the whole Indy rock sound down with great haunting female vocals leading
the way through the wasteland which is the current music scene. What radio
needs right now are a few bands like Matchless to get some diversity in
there and wake up the masses.
-- Grog Mutant (2001)
Material Issue - The Millennium Collection - CD
(Universal
Chronicles) Material Issue was one of those bands in the early
90's who I'd heard of and knew one song from, but otherwise they were off
my radar. This release starts off with the amazing "Valarie Loves Me"
which always gets to me as one of the best songs written in the 90's. The
rest of this collection sounded familiar, but didn't have the same impact
as the lead track. However, with repeated listenings I have grown to love
most of their other tracks, except for the live cover of "Ballroom
Blitz" which reaks of rock star annoyance. I am now a true fan of their
mastery of combining 60's pop sounds with 90's hipster rock.
-- Grog Mutant (2006)
Nathalie Matthews - Nathalie Matthews - CD
(Nathalie Matthews)
I have never been a fan of this type of music. All the songs are highly
produced with loads of drum loops and very little in the way of anything
musical. The lyrics are generic and the female vocals are interchangeable.
That's not saying that Nathalie Matthews has a bad voice, far from
it. She has nice vocals. And I'm sure that the people who are into type
of music would love this CD. I would have to say that "No Mystery" and "Don't
Surrender" do show promise, but overall this release just isn't for me.
-- Mite Mutant (2007)
The Max Power Trio - The Max Power Trio - CD
(Off Guard Records)
The Max Power Trio seems to be a college jam band, that thankfully doesn't
get into extended jams. They throw a bit of reggae into their mix, which
keeps with the college jam band theme and they even veer into a bit of politics.
Nothing earth shattering here, just some decent musicians having some fun
and playing for a bunch of their friends. Better than the horde of cover
bands that play the college circuit, but I don't see them carrying on too
long before they drift their own ways.
-- Grog Mutant (2007)
Maxtone Four - Hey Hey Do It Anyway - CD
(Brickhouse Acoustics)
Maxtone Four got me hooked from the get go with the opening "bah
bah bah's" and hand claps on "Just Say I Know". Right then I found myself
thinking that I was in for a treat. The sound has a retro '60s-'70s poppy
bounce to it with a modern alternative sound. The playing is tight and vocals
are wonderful. The band also does a masterful job with incorporating the
right amount of harmonies into the songs. "Ashtray", "Kickstand", "Melody
Girl", "Short Pants" - all great. This is one wonderful CD. This is one
you need to get.
-- Mite Mutant (2008)
Rhett May - Calcutta Boy - CD
(Rhett May) On the
tune “Mirror Mirror” Rhett May sings “Burn my body when I die”. I would
say now is the time to burn the master tapes.
-- Stig
The Maybellines - A la Carte - CD
(Best
Friend Records)
The innocent sounding female vocals mixed with a modern '80s
sound have me thinking Altered Images meets the
Cardigans. The songs are catchy and playful. I have to admit that
at times the synth sound became a little too much and was a bit annoying,
especially on "Dream Vacation". However, the CD had me boppin'
to the music (in a dancing way, not a Cyndi Lauper way)
from beginning to end.
-- Mite Mutant (2006)
John Mayer - Room for Squares - CD
(Columbia Records)
This sounds like it could be Dave Matthew's long lost brother. The
vocals and music are very similar to DMB, but this also has a more
traditional sound. There is an absence of sax, violin and experimentation
that you would hear with Dave, but this is still great music. It
is a bit mellow, but at times that's just what you need. It's one of those
records for a lazy drive or a just to kick back with friends while drinking
on the shoreline.
-- Grog Mutant (2001)
Tris Mc Call - If One of These Bottles Should Happen to Fall - CD
(Tris
McCall) Tris plays mellow fairly humorous music, almost as if
Wally Pleasant had a full band. However the lyrics aren't as siterical
and the whole disk gets boring by the fifth song. While this is good and
decent, that is about as far as I would go with the compliments.
-- Grog Mutant (2001)
Chris McCoy - June Ten EP - CD
(Goodjuju Records)
True Story. I put on this CD at work and as one of my co-workers passed
my office she stuck her head in and asked who the band was. I then gave
it to her to listen to and 5-minutes later, she came back and said she wanted
to know how she could get the CD for herself. I let her take the CD home
so one of her friends could listen to it and the same thing happened. With
all the music that I listen to that is the only time that has happened.
This CD is that good. What's even more amazing is that Chris recorded this
CD live at Canal Street with just his guitar and Tim Buckly-ish
falsetto voice. While all the songs on this release are gems, the one that
kicks it off, "Goodnight" is one of the most well-written, well-sung songs
that I have ever heard. Chris is currently in the studio with his band working
on a full-length CD. In the meantime, get this CD because it is utterly
fantastic.
-- Mite Mutant (2001)
David McCray - Prospect Street - CD
(Boot Strap
Recordings) "In Review"
-- (2008)
Beth McDonald - At Last Love Songs & Lullabies - CD
(Classic Avenue Records)
"In Review"
-- (2009)
Beth McDonald - Home - CD
(Classic Avenue Records)
"In Review"
-- (2009)
Larry McDonough Quartet - Simple Gifts - CD
(Larry McDonough
Jazz) "In Review"
-- (2008)
Ian McGlynn - This is the Sound - CD
(Bailey Park) How would I describe this album? Let's just say, if I were
in a bizarre mood to watch the film The Royal Tannenbaums on mute,
this would be the album I would use to replace the dialogue with. This doesn't
mean to say that, lyrically, the album fits the film, but, for some reason,
that was the film I thought of the minute the strains of the first track,
"Play Dead," wafted from my computer speakers.
There is a heavy use of triple meter on most of the tracks, but one can't go wrong with a good ol' waltz rhythm to feel lightly mellow. Songs such as "This is the Sound" and "Peninsula" will have you feeling like a ten-year-old girl in no time. Yes, even the men will feel like ten-year-old girls. Hmmmm . . . Perhaps that's not such a great endorsement . . . Sorry, Ian! Still, when life has been as depressing as it's been for the last eight years, the prospect of feeling "lightly, girlishly mellow" doesn't appear so bad after all, now does it?
Don't get me wrong . . . These aren't bubble-gum-pop-bits-of-nauseating-fluff.
These are intelligent pieces that happen to take the weight of a lousy economy
off of you for a few moments. So screw it! Thank you, Mr. McGlynn and partner,
John Mosloskie, for this lovely bit of piano-rich relief! Your timing couldn't
have been better.
-- Fonda Mutant (2009)
Adam McIntyre - Nothing Means Anything - CD
(Headphone Treats)
(2005)
Christian McKee - The Ipods & Cyclops E.P. - CD
Christian's vocals are a mix of Beatles and Bob Pollard of
Guided by Voices. The tunes have an acoustical flare to them with
a looped rhythm backing things up. His songs do have catchiness to them,
but seem to drag on a bit too long due to their repetitiousness. The one
thing that does stand out on this 4-song ep is the line "I'm like that smell
that just won't go away" from the final tune "The Way Things Go". It makes
me laugh.
-- Mite Mutant (2007)
Heather McKenzie - Every Waking Moment - CD
(Heather McKenzie)
Very solid and professional female led standard rock / alt-country songs
by the artist known as Heather. If you were to take the best of the
band Heart and update it for the 00's then add in some alternative
country sensibilities you'd have something that resembles this release.
Heather's voice is strong, melodic and soulful not to mention a great
compliment to the songs she's written. One other aspect which I feel has
been lacking from a lot of releases recently are the lyrics, however these
lyrics are very well done. Most of the songs focus on personal relationships
and the lyrics really capture the feelings she's getting across. One of
the best releases I've heard this year. This isn't the style of music I
normally gravitate toward, but it is so excellent I cannot deny it.
-- Grog Mutant (2007)
Hilary McRae - Through These Walls - CD
(Stone Road Records)
Hilary has a Macy Gray style and voice with a slightly husky
deeper sound to it which seems out of character with her looks. The packaging
looks very 70s and the music pulls from various sources from that decade
such as Chicago, the Jackson 5 and various late Motown
artists given the funky horns, handclaps and jazzy feel. The songs are very
polished and sound like they would be perfect as theme songs for a sitcom
in the vein of Alley McBeal. Hilary also has a sound that
I think would appeal to fans of adult contemporary with its smooth R&B flavor
and hooks galore. While this disc isn't something I would listen to all
the time I do have a soft spot for it and could see it fitting my mood at
times.
-- Grog Mutant (2008)
Kelley McRae - Highrise In Brooklyn - CD
(Sona Blast Records)
A wonderful blend of styles that has me immediately captivated especially
by Kelley’s soulful voice. This is like a blending of Sarah McLaughlin,
Norah Jones and Ani Difranco with bits of Enya thrown
in. Songs like “Last Call Town” have so many hooks it’s reminiscent of the
Beatles, while the “More of Nothin’” heads into straight blues territory.
Overall a very remarkable release by a musician with a great range and abundance
of talent.
-- Grog Mutant (2009)
Ryan Meagher - Atroefy - CD
(Fresh Sounds
Records) "In Review"
-- (2009)
Means to an End - ...Reaction - CD
(Grindco Entertainment)
I ended up liking this release a lot more than I thought I would at first
glance. First it was released by Grindcore Entertainment and while
I don't mind cookie monster vocals I usually can't get into a full releases
of them. To my surprise Means to an End is really more akin to White
Zombie and Ministry than a typical grindcore band. Most of the
songs had a blend of metal and industrial fronted by a demoic sounding vocalist.
I thought most of the songs were decent except for the really lame "Faith
is Taking Over" where the same line is sung at least 500 times! So if you
like heavy and bit brooding then Means to an End is worth searching
out.
-- Grog Mutant (2007)
The Mediawhores - Mediawhores - 7"
(Breakup Records)
The Media Whores have a solid rock sound with vocals, which can be likened
to a slightly more graveled voiced Paul Westerberg of the Replacements.
This is much apparent on the tune “1984”. The flip side of the disc, “Cult
of the Psychic Fetus” is a fun tune that would be a perfect theme song for
a modern day spaghetti western B-horror movie.
--Mite Mutant (2006)
Medicine Drum - Supernature - CD
(Cyber Octave)
I love music that has a mystical feel about it. I also love the inspirational
playing of hand drums. This release combines the two with synth to produce
an infectious dance groove. Think of the soundtrack to Baraka being
remixed for the dance floor and you will have a pretty good idea of what
this release sounds like.
-- Mite Mutant (2001)
Medicine Drum - Original Face - CD
(Cyber Octave Music)
Another beautiful release from the band mixes electronica with organic rhythms
and serves up some sweet techno dance grooves. For the most part this CD
is super killa. I tended to enjoy the songs that had a bit of voice in the
mix because it helped break up the monotony that infects most techo flavored
songs. "Serpents Tale" is by far my favorite track. I did have a problem
with the tune "Ancient Analog", due to an annoying beat that sounded more
like the CD scraping metal. In fact I stopped the CD from playing because
I thought something was wrong with my CD player. Besides that, this is another
great release.
-- Mite Mutant (2003)
Melee - Devils & Angels - CD
(Warner Brothers)
It took me a while to figure out why this band bugged me. The music and
vocals are competent and they have a good sound. Then it hit me during track
three "Freq. Baby". They sound like a power ballad band from the '80s. They
have this high school prom song style to the music and make me think of
bands like Survivor, Journey or even some of the new pop country stars
-- Grog Mutant (2007)
Melodic Meltdown - The Missing Link - CD
(Melodic Meltdown)
Oh god, another hard rock band trying to be melodramatic and deep. The two
songs on this release did nothing more than remind me of the horrible local
rock bands of the late '80s during the waining reign of hair metal.
-- Stig (2008)
Melodic Meltdown - Second Skin - CD
(Melodic Meltdown)
This is the second release I had to listen to by this band, and it's not
much better than the first. The playing is decent enough with thrashing
guitar riffs via Michael Sobhygge. But the vocals I found lacking.
While listening to this CD a scene from the Metallica Some Kind
of Monster documentary popped into my head. It's the one where Lars
Ulrich and James Hetfield get into a fight after Lars tells James
that his guitar playing on the particular song was generic. Yeah, this CD
was like that.
-- Mite Mutant (2008)
Melomane - Solresol - CD
(Vermillion Music)
Melodious is a good adjective to describe this band. Maybe that's where
the "Melo" from their name is derived from? The guitars are light, the trade
off between male and female vocals backed by guitar and light trumpet is
very tranquil. This is what Morphine might sound like if they were
a full band with a trumpet instead of a sax. Very nice.
-- Mite Mutant (2003)
Menomena - I Am the Fun Blame Monster - CD
(Menomena) I have
to say this is a band that isn’t afraid to be experimental and try
new things. The flip book CD case is impressive though excessive. The songs
are musical landscapes and are akin to the songs that were on the “Mind’s
Eye” video’s in the ‘90s. This isn’t something I
would imagine someone would want to listen to on a regular basis, but at
least this band is willing to try something different that the mainstream
with full conviction.
-- Mite Mutant (2004)
Merauder - Bluetality - CD
(Century Media)
Well, this is the first heavy record I've reviewed in quite some time. I
really don't get into this sound anymolre and haven't since I was a teen,
but this is denfinaitly better than most that I've heard. The title is as
you could figure out a slam on cops and several songs deal with brutal police
beatings and shootings. My favorite song is the final track "Underground
Girl" which sings the praises of real girls who go to shows in contrast
to the plastic girls out there. A better release than most, plus it was
engineered by the great Billy Milano.
-- Grog Mutant (2002)
Glenn Mercer - Wheels In Motion - CD
(Pravda Records)
Nice, fairly mellow rock with a slow plodding beat. Glenn is best
known for being a founding member of the post punk legends The Feelies.
Everything is fine on this release, but with his monotone voice and a lack
of hooks the songs just seem to drone on into one another. It just goes
on and on and on…
-- Grog Mutant (2007)
Raz Mesinai's Badawi - Unit of Resistance CD
(ROIR) In 2004 Raz
Mesinai booked a recording studio a few blocks from the National Republican
convention in New York City. He brought together musicians and recorded
10 hours of spontaneous burst of sounds, music, distorted electronics, etc.
He then took those recordings and manipulated them, separated parts, made
loops and other such funkiness. He then handed the results to various other
artists whose creations can be heard on this release.
Most of the cuts on this CD have a very percussive feel to them, with a world music vibe going on as well. Badawi Quintet's "Market Place" reminded me of the CD "Songs from a Victorious City". DJ Spooky put political sound clips into his mix giving the song "Jihad Remix" a Consolidated feel. That is if Consolidated were a world music band. Seth Ayyaz's "Bahr El Dumu Part 1" is a sonic aura piece, while "Den of Drums" by Kode 9 can be best described as a Dance/Trance song.
Overall this is a very interesting piece of experimental work that is as
much a study in collaborative art as a bona fide musical release. It took
me a couple listens to get into it, but it grew on me very quickly. So go
ahead and give it a few spins.
-- Mite Mutant (2008)
The Metapuffs - Dimensional Maze - CD
(The Metapuffs) This
one gets off to a very rough start and remains in the rough to almost the
end of the CD. The first two songs suffer from weak lyrics and vocals and
a bad '80s cover band sound. The female vocals on "California Grass" and
"Step Beyond the Dream" are an improvement, but the songs sounded the same
to me. They start to reach their potential by the eighth tune "2025", which
has a nice steady beat. The only thing that bothered me is that the British
accent on the vocals seemed fake. They get gritty on the catchy guitar driven
tune "Keep Your Hair Long" which is a catchy guitar driven tune. The best
song on this CD they saved for last. I loved the female vocals on "It Seems
Only Yesterday" and believe if the band wrote more songs on the lines of
this one, then their next release will be a whole lot more enjoyable.
-- Mite Mutant (2007)
Mezklah - SpiderMonkey - CD
(Escuchalo Records)
When I picked up this disc and looked at the cover, I had no idea of what
I was in for. I'm still surprised after listening to the disc. There's a
heavy influence of what I believe is a South American musical groove going
on throughout this release, with a helping of reggae and rock thrown in.
It's as if Mezklah is the Latin music version of Sublime.
So while I don't understand the words on many of the songs, the music is
great and each song gets multiple plays. This is one release that deserves
your attention.
-- Mite Mutant (2008)
Mia & Jonah - Rooms for Adelaide - CD
(Mia & Jonah)
The music on this release has a contemporary folk flair that is wonderfully
complimented by the male & female vocalist. Mia and Jonah trade off
lead vocals though out the release with the other playing the support role.
There are a few tunes where they share the spotlight and for the most part
all of the tunes shine bright, especially on "Silver Moon".
I really like Mia's smokey vocal delivery on many of the tunes,
but there are a few songs that are less than spectacular due to her choice
to put too much warble in the vocals. "Stories High" is one of those songs.
One the tune "Junkyard Dog" they remind me a bit of the early '90s Dayton
(and then Austin) band Aunt Beanies 1st Prize Beats.
-- Mite Mutant (2007)
Michael's Jazz Quartet - Woody-n-Me - CD
(Michael's Jazz)
The music on this release is boring and uninspiring. I didn't like this
one at all.
-- Mite Mutant (2008)
The Jeff Michael Band - The Other Side - CD
(Jeff Michael)
Jeff Michaels is a country singer songwriter, but not what I really
expected. He isn’t modern country and isn’t twangy; just straight catchy
and fairly happy songs. Looking at his photo I expected a deep baritone,
but he’s a bit higher in pitch (almost alto) with his style bordering on
an American Idol wannabe. However, I must admit as much as I don’t like
country he isn’t bad and I assume if you actually like country you will
probably love this.
-- Grog Mutant (2008)
Michal - Sky with Stars - CD
(Columbia Records)
The first thing that struck me about this recording was that four songs
were produced by David Pirner. Sky with Stars is a very interesting
collection of songs in which Michal fronts a variety of musicians
and plays several of the instruments as well as sings. The music strays
between alternative rock / country to ethereal dance to goth to straight
forward rock in the vein of Soul Asylum. Each song title is matched
up with a zodiac sign (my sign's songs is "April is Gone") which has some
meaning that is eluding me at the moment. My favorite track at the moment
is "Juilet's Refrain" which is very powerful. Overall I was very surprised
by this release and find myself liking it more with each consecutive listen.
A very different and unique release which is among the best I've heard all
year.
-- Grog Mutant (2001)
Mico - Outside the Unbearable Grows - CD
(G7 Welcoming
Committee Records) Mico is a solid hard rocking band with a slight
alternative groove. The vocals are right on, the music is solid, and the
lyrics are strong. The only thing I could find wrong with this band is that
the songs lacked catchiness. So while this band is good, nothing special
stands out.
-- Mite Mutant (2003)
Miggs - Late Nights & Early Mornings - CD
(Miggs) Mellow, heartfelt
songs from a singer / songwriter / guitarist fronting a full band. That
is the fast and dirty was of describing this release. Miggs is a
bit soulful and a bit folk merged with his mellow rock sensibilities. The
songs are close to what you'd hear on a standard adult album alternative
station, but the lyrics are just a bit weak. At times when I think I'm about
to hear a clever turn of phrases, it just falls flat with a cliché or a
repeat of the previous lines. Overall it's a really nicely put together
release with great song flow, musicality and production. I think Miggs
is really close to having something big, this could be an artist on the
cusp. Check them out when you get a chance.
-- Grog Mutant (2007)
The Mighty Mighty Bosstones - A Jackknife to A Swan- CD
(Side One Dummy Records)
Finally a new release by one of my favorite bands ever. They seem to no
longer be in the top 40 spotlight and that's fine by me. Tastes change,
but great bands are forever. I was happy to see the MM Bosstones
get some real attention and it's great to see that they are still kickin'
it out and didn't let it go to their heads. Actually I think they're playing
even better ska-punk songs then before with a new taste of swing thrown
in since there is a void in that field as well. They are back and better
then ever...catch them on the Warped tour!
-- Grog Mutant (2002)
Mighty Sam McClain - Joy and Pain - CD
(Ruf Records) Listening
to Sam belt out the sledgehammer soul and down home blues on this
CD and I can hear why his name is preceded by the adjective Mighty. Recorded
live in Europe the richness of this album in spectacular. Even more amazing
when you realize that after hitting it big in 1966 with his tune "Sweet
Dreams (Of You)", Sam sank into obscurity and was homeless for a
while. He emerged again in 1988 and from what I can hear, is still going
strong. Excellent CD.
-- Mite Mutant (2001)
Milk - Milk - CD
(Milk) Milk's
sound is, dare I say, retro late '80s. Not the synth-pop new wave '80s,
but the rock-pop '80s which was more drums and guitar driven. The vocal
delivery is a combination of Charlie Sexton and the late Michael
Huthence, there's sort of a sultry angerousness to them. While listening
to this CD I just kept thinking that just about any of the songs would fit
perfectly on The Lost Boys movie soundtrack.
-- Mite Mutant (2006)
Miller - Complete Buffoonery - CD
(Fred's
Crack Records) Miller is a one-man novelty musician, who armed with
a drum machine and a key-tar takes on such topics as pizza franchises, mullets,
one-legged women, and his expertise at baiting. The music is a bit catchy,
but coupled with Juvenile lyrics the novelty wear's off very quickly.
-- Mite Mutant (2006)
Million Dollar Itch - Angry America - CD
(Million Dollar
Itch) It's like it's the second coming of Alien Sex Fiend. Million
Dollar Itch has a sound that's a combination of goth, punk, industrial
and rock with weird little sounds oozing out within. The opening tune "Movie
Star" had me thinking and industrial Bauhaus meets Marilyn Manson
meets Audioslave. On the tune "Kurt Cobain" the music is bombastic
while the vocalist sings "Kurt Cobain is not dead because I am" with Johnny
Lydon abandon. This song is followed by the instrumental "Interlude
1" and the rest of the CD had me thinking Mr. Fiend. This one grows
on you. If you are the adventurous type you will like this CD.
-- Mite Mutant (2008)
Michael Anthony Milton - Follow Your Call - CD
(Music for Missions)
Soft rock / bluegrass / gospel all rolled into one. Michael is a pastor
and president of the reformed theological seminary and it all comes through
in his music. Soft spoken and full of his love of the Lord. If you like
this stuff then get this release.
-- Grog Mutant (2009)
Charles Mingus - The Millennium Collection - CD
(Universal Music
Company) Mingus was one of the all time great jazz bassists and
one of the few to lead his own band. Being a bassist myself I've listened
to his music since I came of age and was always amazed by his tone, style
and rhythm. He was around for several decades in the middle of the 20th
century, but this release focuses on his songs from 1958-1964, which were
his most famous and accessible songs. All the songs on this disc, with the
exception of "Group Dancers" & "Fables of Faubus", could be called a bridge
between classic and modern jazz. However, the aforementioned songs veer
into a very modern jazz direction and can be difficult to appreciate. Overall,
this is a great release showcasing some of the best work from a true jazz
genius.
-- Grog Mutant (2007)
Minmae - 835 - CD
(Grey Day Records)
This CD gets off to a mellow start with a underlying guitar sound swirling
in the atmosphere ala Pink Floyd’s “Us and Them”. However, Minmae
puts a little spin on things by having a Dinosaur Jr./Sonic Youth
guitar chime in here and there throughout the composition and then totally
take over at the end of “Pay More” the first tune on this release. They
continue with a similar groove on “You Band Controls the Weather” which
is my favorite tune on the release. Most of the songs have a mellow alternative
feel to them with the music perfectly complementing the vocals. However,
my favorite songs are the ones where the guitars don’t seem to quite fit
with the singers voice, like the rocking tune “Next Round’s on Me.”
-- Mite Mutant (2007)
Minor Disturbance - Bullet For You - CD
(Run and Hide Records P.O. Box 35094 Philadelphia, PA 19128) Your basic
punk rock 101 band. This one is from Philly.
-- Mite Mutant (2001)
The Miss - No Radio - CD
(Morphius Records)
The first tune on this releases reminded me a bit of the Crust tune
"Clymedia (is not a flower)". However, this release went downhill from there.
This is mostly due to all the songs sounding the same and bad production.
This is one of those bands that while you might catch them at an all ages
show, you wouldn't want to buy their merchandise.
-- Mite Mutant (2002)
Mister Neutron - Nor'easter - CD
(Deep Eddy Records)
Mister Neutron is a guitar instrumental band that is part surf rock
and part soft rock. The musicians have skills, but none of the tunes really
grabs you. While Mister Neutron is a wonderfully explosive name for
a band, the music on this release just doesn’t reflect that. With so many
surf & spaghetti western bands like The Mulchmen and Irreversible
Slacks setting the bar so high, Mister Neutron needs to turn
it up a notch to stand out in the crowd.
-- Mite Mutant (2009)
Miz Mandy - In The Mix - CD
(Foxworthy Records)
This is decent dance music infused with a Latino beat, but I think somebody
really wants to be a Shakira clone. I really like Shakira
and think she's great, however Miz Mandy seems like Shakira
light. Several of the songs feature a smooth duet with a smooth male hip-hop
or Latino singer. This is a disc of decent club music, it's just that I've
heard better and Miz Mandy seems to be a bit of a clone. However,
with a bit of work I could see her breaking out into her own style.
-- Grog Mutant (2007)
Mob Rules - Temple of Two Suns - CD
(Limb Music) With
a sound that's a combination of Iron Maiden and Queensryche,
Mob Rules takes you back to the day when metal reigned supreme. Mob
Rules show amazing musicianship and songwriting skills as they continue
their odyssey about the end of the world that began with their debut album.
While the photo of the band on the cover is cheesy, it also pays homage
to many of the metal album covers of old. When metal rises to the top of
the rock heap, I'm sure that Mob Rules will be taking it's place
at the top of the heap.
-- Mite Mutant (2001)
Mod Amish - No Use for Sunshine - CD
(Mod Amish)
"In Review"
-- (2009)
Modern English - Life in the Gladhouse 1980-1984 - CD
(Beggars Banquet / 4AD)
The first thing I think of when I hear the name Modern English is
their big hit "I Melt with You" and the movie Valley Girls which
featured the song. Since I grew up in the '80s this feels like old times,
which weren't necessarily good times. But I still love that song. Anyway
there are fifteen other songs on this disc and while they are quite different
from their radio hit they are great songs in their own right. Their basic
sound is that dark, moody '80s new wavish type sound that was very big for
English bands of the time. You could lump them in with bands such as the
Cure, The Smiths or even Bauhaus but that would be very
limiting and doing them a disservice because while there are similarities
they have a unique sound and feel all their own. Hey all you young goths,
check this out.
-- Grog Mutant (2001)
Modern Skirts - Catalogue Of Generous Men - CD
(Get To Your Room
Productions) This is a mellow emo rock band. The album has a very relaxed
feel to it. Most music I have listened to with a similar style tends to
be way more pissed off and angry. This is something I could take a hot bath
and relax to. These guys really have something going for them.
-- Simi Mutant (2005)
Modifiers,The - Show and Tell - CD
(Cool Basement Records) Some of the tunes on this release sound so much
like The Oxymorons songs that it's scary. In fact I had to call Grog
to see if Ben might have known any of these guys when he lived out in New
York. The lyrics are so Ben, especially on the tune "Favorite Waitress"
with the lyrics "And I'm drinking liquid courage, Cause I want to have no
fear, Wait, I ain't just drunk fumblin' for a line, Take the time to swallow
your pride, Chase it with a beer". Needless to say, I think this is one
killer pop punk CD.
-- Mite Mutant (2001)
Moe's Haven - The Greatest Band You've Never Heard - CD
(Moe's Haven) This
is an interesting duo that has been together for years, but only performed
twice. Their greatest accomplishment seems to be how prolific they are,
recording over 500 songs in the past few years. In 2006 they are kicking
it into high gear by writing an album a day. Yes, an album a day then releasing
the best songs on an end of month release.
However, this is supposed to be a review of specific release so let me
get to it. Moe's Haven has a quirky folk type of sound on most songs, but
the music is better than the vocals most of the time. It's not the lyrics
that are bad, it's their voices that tend to annoy me. Of course this is
only true on their serious songs, when they are having fun like on the tracks
"Papaphobia" (fear of the Pope) and "Moppin' Concrete in
Early May". When they are in this mode, I would place them somewhere
in the realm of the almighty Adam & His Package. At their best
they are a fun quirky treat, at their worst they are catchy and annoying.
Overall pretty amazing.
-- Grog Mutant (2005)
Moistboyz - III - CD
(Ipecac Recordings)
Some punkers go out, get really, really stoned and listen to a classic rock
station until their minds are totally fried. Then when they finally come
to and drink a few beers they record this disc. To some it sounds great,
to others it sounds like shit and is annoying as fuck...guess which category
I fall into...
-- Grog Mutant (2002)
Brian Molnar - Feelin Out of Time - CD
(Avenue A Records)
Brian Molnar plays country music that borders on folk so it is more
palatable to me than straight country. The songs have a basic country feel
with a nice female background vocal harmony that adds a special element
to the music. A few of the tracks get a bit to “down home” for my personal
tastes, but they are very well done regardless. If you’re a fan of basic
country or even folk you should do yourself a favor and check out Brian
Molnar.
-- Grog Mutant (2008)
Moment - Songs for the Self-Destructive - CD
(Espo Records)
I think that Moment is what Fifteen would sound like if they
were a bit calmer and toned down the political activism a notch. Still Moment
is edgy and they do song about issues that are important to them and have
the oh so great punk-pop sound. Actually I like these guys more than the
band Fifteen has become.
-- Grog Mutant (2001)
Moment Theory - Moment Theory - CD
(Moment Theory)
"In Review"
-- (2007)
Moneen - The Theory of Harmonial Value - CD
(Small Man Records)
Emocore that rocks a bit harder than is usual for this genre. But this still
has that drawn-out almost art rock style that tends to turn me off. I like
music with substance, but there is too much repetition and extension. I
have noticed some people comparing them to Jimmy Eat World, but they
just don't have the punk-pop sensibilities for me to agree with that statement.
The final word: If you love emo then you'll love Moneen...if you
find emo tedious and repetitive then you'll hate 'em.
-- Grog Mutant (2002)
The Monitors - Show Me on the Doll - CD
(Wolf Sandwich)
Screaming punk with a cigarette voice and alternative flair. There are some
songs that I really like on this release and some I just downright can't
stand. I enjoyed the cover of Devo's "I Desire", which is one of
the mellower songs on this release. Overall a 70/30 CD on the percentage
of good songs/bleah songs.
-- Mite Mutant (2001)
Monkey Paw - Honkey Kong - CD
(4 Alarm Records)
I loved the music on this release. It's simple and very catchy with a tinge
of rockabilly sensibility at times. I did have problems with the vocals.
While they would work perfectly with another style of music, on this CD
they clashed with the music more often than not. This incompatibility ended
up making the songs sound a bit too quirky.
-- Mite Mutant (2005)
The Monkeywrench - Electric Children - CD
(Estrus Records) Seattle
punk veterans get together for round two of their psychedelic blues punk
incarnation, The Monkeywrench. This offering is a little more psych
than the last record but personally I like it better. Obviously Mudhoney
fans are gonna want to check this out as Arm and Turner are members.
This is a great sounding record with excellent performances by all concerned.
I was gonna buy this myself but thanks to Estrus I don't have to!
-- Howard X (2001)
Monster In Your Closet - Momma's Boy - CD
MIYC
Cold, dark and ominous...yes Gothic, but with a little more variation than
a typical band of that genre. Monster In Your Closet has the added
twist of a somewhat grittier Goth Billy type of thing. I kept thinking of
Alien Sex Fiend, The Cramps, and Cult of the Psychic Fetus
while listening to this disc. There are also more straight Goth/Industrial
songs on here with all the sampling you could ask for and vocalist Oncle
Jimmy's distorted netherworld sound. MIYC hails from Columbus,
OH, and although they are relatively new, I see good things in their future
if they keep working on defining their own niche.
-- Tom CoreKill (2001)
Montana Boys - Montana Boys - CD
(Montana Boys) Let's just get this out of the way: the production values
suck on this album. Dustin Anderson recorded and mixed it himself,
and, if I were him, I'd stick to playing guitar. However, while I listened
to this album, I couldn't help but fondly recall all the homemade albums
that came out of fgtttttt during the 90's. It sounds homemade and messy,
and I love it. For example, the track, "Making Me Sick," vacillates between
angry guitars in the refrain to subdued and mellow during the stanzas. "Trees,"
(track 7) is a mind-numbing ball of experimental, screaming fun, and made
me think of something Nick Cave might whip up. Michael Cunningham's
vocals on all the tracks wail and strain and should join the rest of the
great imperfect rock vocalists in recent history: Bob Dylan, Thom
Yorke, Bono (yes, I mentioned them all in the same sentence),
and anyone else you may personally prefer. I highly recommend this album
to anyone sick of the over-produced fluff that regularly seeps out of the
music industry these days.
-- Fonda Mutant (2009)
Monty Are I - Wall Of People - CD
(stolentransmission)
This CD is yet another example of the effect of Fuse and Warped
Tour on the current state of the music industry. Monty Are I
have a hard-edged alternative guitar sound and sound similar to about every
other band that is on Warped Tour. It isn’t that their music is bad,
the music is actually quite good, it’s just that I’ve heard so many bands
that sound exactly the same. Quite frankly it all becomes boring after awhile.
They do throw out a bit of a surprise on the last tune “Only The Week” which
comes off as a cheesy ‘80s metal tune. Other than that, no one song really
stood out.
-- Mite Mutant (2006)
David Monte Cristo - Girls Audition - CD
(Monte Cristo
Records) This new age synth release features the talents of David
Monte Cristo and James Michaels. For the most part the songs
are either cliché new age, or spoken word pieces. The track "Poets on Poets"
which is a spoken word pieces over a synthesized music bed is the best track
on this release. It reminded me a bit of the CD "T.A.Z." by Hakim Bey.
David Monte Cristo's "Sweetheart" with its relaxing and sweeping
sound is another standout. Throughout the release there're various tracks,
which feature female voices along with the music. Of these "Girl" series
of songs "Girl #2" stands out the most. "Girl #4" with it's artsy fartsy
new age operatic vocals was annoying to the point that it's something I
know I'll never want to hear it again. The rest of the songs are neither
here nor there, just basic new age.
-- Mite Mutant (2006)
David Monte Cristo - Shot Of Yesterday - CD
(Monte Cristo
Records) Cristo takes on the songs of Queen, Depech
Mode, New Order and more on this 17-song CD. If you ever bought
a mass produced lower-end synthesizer, you know that they always come with
a few preprogrammed song samples. Take those samples and add male vocals
that are a cross between a 1920's crooner and Chris Issac, and you
will have a fairly good idea of what this release is all about. There is
something a bit humorous in hearing a song like "Nights in White Satin"
performed this way with a reggae beat, but a whole CD worth is a bit too
much.
-- Mite Mutant (2006)
The Moody Blues - The Best of Moody Blues - CD
(Universal Records)
This is part of Universal Records continuing series of 20th century
masters. Moody Blues were one of my favorite progressive rock bands
while growing up. This disc contains in my opinion some of their best music
including "Question", "The Story in Your Eyes", "The Voice", "Your Wildest
Dreams", "Ride My See-Saw" and of course "Knights in White Satin". Evidently
they are still around, but I haven't heard anything about them for over
a decade. But, if you want to hear their best from 1967-1988 then this is
the one to get.
-- Grog Mutant (2001)
The Moody Blues - Days Of Future Passed - 2CD
(Universal
Records) This release features two of The Moody Blues best known
songs, "Tuesday Afternoon" and "Nights in White Satin".
I actualy have the original release of this in vinyl back from my hippie
days when I was 13 and wished I had been around back in the '60s. Listening
to this remastered releases and the special disc of outtakes and alternate
mixes I was struck by how very representative of the '60s The Moody Blues
were. I also noticed that most of the songs seem laughable now with the
exception of songs by John Lodge and Justin Hayward, who seem
to have been the real talent in the band. Released in 1967, I feel this
was the Moody Blues at their best.
-- Grog Mutant (2006)
The Moody Blues - In Search Of The Lost Chord - 2CD
(Universal
Records) Another re-release of a classic Moody Blues album. This
one features "Ride My See-Saw" and the tribute to Timothy Leary
"Legend of a Mind". Like Days Of Future Passed this features
a second dics of remixes and outtakes. The one thing that strikes me most
about this release is how much the members look like the cast of Monty
Python on the back cover. I know it was the style at the time, but the
resemblance of a few members is uncanny. Anyway, this was originaly released
in 1968 and sounds a bit more pychadelic than the previous release.
-- Grog Mutant (2006)
The Moody Blues - To Our Children's Children's Children - 2CD
(Universal
Records) This is the third in the series of special edition of Moody
Blues re-issues. This is also my least favorite. The only parts I really
could listen too were the songs by John Lodge and Justin Hayward,
the rest are just a bit too trippy for me.
-- Grog Mutant (2006)
Moontagu - Written In Stone - CD
(Moontagu Music)
This is a family band made up of a father, three siblings and a family friend.
Looking at their cover I was expecting a family Celtic band since they have
that basic appearance. However, their music is older style bluesy rock full
of extended guitar solos and ballsy keyboards. At times the music really
slips into 70s style blues rock with a bit of family style cheese. Overall
they are all excellent musicians and some of the songs fit into the mold
of the Allman Brothers, Traffic and the like. The biggest
surprise on the disc is the guitar playing and vocals from Kathleen the
sixteen-year-old whose voice has a range and depth many years older. I think
out of anybody in the band she will be the one to move on to greater heights.
-- Grog Mutant (2007)
Thurston Moore - Psychic - CD
(Universal
Chronicles) This is a re-release of Thurston Moore's first solo
album. You can easily hear how instrumental he is to Sonic Youth's
sound on almost every track. Most have the feel of my favorite Sonic
Youth releases Goo and Dirty, with their melodic twists
and dissonance. If you like Sonic Youth, you should check out this
disc, if you love Sonic Youth you already own this disc. This is
one of the most accessible albums Thurston has been involved with.
-- Grog Mutant (2006)
The Moore Brothers - Aptos - CD
(The Moore Brothers)
"In Review"
-- (2009)
Moosa - Get Away - CD
(504 North Inc.) This
reminds me of something I would hear at a bar full of 40-50 year-olds. The
music has that "let's drink jammin'" feel about and the lyrics try to sound
deep, but come off shallow. But then again this is music for 40-50 year-olds
to get drunk too and forget about life for awhile, so let's leave them alone.
-- Mite Mutant (2003)
Moose Jaww - Seduce and Paralyze - CD
(Moose Jaww) "In
Review"
-- (2008)
Moosh - 100 Days - CD
Moosh - Moosh - CD
(Moosh) This
is a home made CD from a couple of individuals that have basic recording
equipment, but lack experience is all things musical. This isn't really
worth the effort of reviewing. All I can say is get experience before you
send anything out like this again.
-- Mite Mutant (2008)
Moral Crux - The Side Effects of Thinking - CD
(Panic Button)
I am officially nominating Moral Crux as the "Best Band in Ephrata
WA." A highly coveted honor as some of you might know. All kidding aside,
these guys are semi local and play here in Seattle a lot. I have seen them
a few times and they were always good. I notice Steve Fisk has a
hand in this as co producer. This record reminded me a lot of "The Crew"
era Seven Seconds, the vocals mostly. Just good old punk rock.
-- Howard X (2001)
Moreland & Arbuckle - 1861 - CD
(Northern Blues)
Good old-fashioned southern fried blues similar to the Allman Brothers
or the Marshal Tucker Band. They throw in plenty of harmonica and
even bring out a B3 organ for a few tracks. If you like your blues with
plenty of that rich southern flavor then Moreland & Arbuckle are
what you need. Some of the best blues I've heard in quite some time.
-- Grog Mutant (2008)
Gaby Moreno - Still the Unknown - CD
(Paisley Records)
“Letters to a Mad Woman”… what a great fuckin’ tune. The music, the vocals,the
lyrics all come together wonderfully in this simply playful acoustic tune.The
best way to describe Gaby’s voice is to think Macy Gray without
the gravel in the voice. Gaby’s vocals are smooth and light and would
sendchills down your spine if she were singing directly to you, especially
whenshe sings in Spanish. *Insert Roy Orbison growl sound effect.*
She gets soulful on the tune “Greehorne Man”, but it’s songs like “La Vez
Que No MePude Atrever”, “It’s Been a Pleasure” and “Since You Came Along”
where she shines best.
-- Mite Mutant (2009)
Jenny Morgan - The Songs I've Sung - CD
(Canon Records)
This is a album of country / bluegrass, but damn if it doesn't sound like
the folksier tunes of Carbon Leaf with local great Rhonda Everitt
or Angela McCluskey of the Wild Colonials on vocals. This
is the type of country / bluegrass that I don't mind, especially since it
is dark and Jenny Morgan has such a wonderful voice. This is really
well played, heart felt music with an emotional fiddle bringing out a great
counter harmony. The only two songs I don't like as much feature male vocals,
but the rest of the release makes up for it by far.
-- Grog Mutant (2007)
Morgue City - Soulless - CD
(Morgue City) Da
‘Teve is rockin’ out to dis hard n’ heavy ass kickin’ band. I bet dey get
more tang den’ day can handle with deir drum and guitar assault on da brain.
Da ‘Teve would love to be at one of deir concerts so I could jump into da
mosh pit with all da fine ladies and have dier lady humps & bumps rub up
against me. Dis would be especially great on da opening jam “Bulletproof”
in dat it’s a good song to grind to. It’s also a good song overall. In fact,
da whole CD rocks, especially da tune “Nature of the Beast.” Da ‘Teve can’t
help but ta sing Da nature of da ‘Teve” when ever dat song comes on.
-- 'Teve (2007)
Alanis Morissette - Flavors of Entanglement - CD
(Warner Brothers)
I haven’t really listened to any new Alanis since possibly the late
90s. I heard she had put out a few releases since 00, but I never noticed
them and heard they were fairly weak. However, listening to Flavors of
Entanglement I must say that she is back with a vengeance. Sure she
isn’t doing any grunge-like wailing, but she does kick things up at times
and throws in quite a few world beat under-currents like on the lead track
“Citizen of the Planet”. The songs primarily have to do with relationships,
or you might say entanglements. Alanis comes off as having gained
wisdom and maturity with age, but has kept her wit, sense of humor and edge.
I’m happy to have her back in my life and add this release to my ever-growing
cache of music.
-- Grog Mutant (2008)
Morris, Valerie - Reeding Between the Line - CD
(E-Mail Skyblue Productions)
This is a very strange and swanky CD There's a hint of Polka, jazz, musical
and who knows what else. I really dig this release for its weirdness. Any
recording with four accordions on one song, four saxophones on another and
a couple of tunes about eggs gets a thumbs up in my book.
-- Mite Mutant (2001)
Morris, Valerie - Transformations - Cassette
(E-Mail Skyblue Productions)
This release is a mixture of sound scapes composed by Valerie. It seems
that all the songs are played on her synth. While I liked many of the songs
that make up this release, I feel that overall the compositions lacked umph.
I see it more as a collection of different pieces that she wrote when she
first started composing.
-- Mite Mutant (2001)
Mosaic - Unsaid, Undone - CD
(Snack Records)
This quintet plays reed led (Sax and Clarinet) jazz with a very 60s feel
to it. The keyboards, bass, drums and percussion lend a lot to the overall
style and mood of the songs, but it really is the woodwinds that carry the
tune. On the whole it's good jazz, but nothing that gets me all excited.
-- Grog Mutant (2008)
Jason Moss - The ep - CD
(Jason Moss)
Jason has a laid back singer-songwriter acoustic sound that some
people might liken to Jack Johnson meets Dashboard Confessional.
Both Jason's vocals and music make you sit up and pay attention.
This is the kind of songwriter who when he starts playing at a noisy bar
everyone stops what they're doing and pays attention. Definitely check this
one out.
-- Mite Mutant (2008)
Moth - Immune To Gravity - CD
(Hey Domingo!) These
guys are the best band I've heard out of Cincinnati in quite some time.
Actually, I think my old band was on a comp with these guys about a decade
ago. Odd, but very cool that they're still around.
I liked Moth within the first few seconds of the disc and after
repeated listenings they are still keeping my interest. Think of a midwestern
version of The Killers rocking out with a touch of The White Stripes.
Their lyrics are witty, wry, catchy and fun, just like their music. Oh yeah!!!
-- Grog Mutant (2006)
Mother Superior - Mother Superior - CD
(Triple X Records)
What I find amazing about this release is that Henry Rollins produced
it and it's on Triple X Records. This sounds like one of the hard
rock bar bands from the late '80s. What's the world coming to?
-- Mite Mutant (2001)
Moths - Lepid Opera - CD
(LunaSea Records)
This is one of those bands that I have heard a lot about, but have never
had the chance to hear them. This is one of the few bands that does live
up to the hype. This release is filled with wonderful alternative pop ditties
that had me bouncing around the room. This is the second great release that
I have heard from the LunaSea Record label. Can't wait to hear the
other bands in their catalog.
-- Mite Mutant (2001)
Nick Motil - Everything's Alright - CD
(Nick Motil) "In Review"
-- (2008)
Motochrist - 666 Pack - CD
(RAFR) More of the good
stuff from these guys, punk/hard rock riffage, metal wah wah leads. This
reminds me of a better produced Paul Diamond Blow. (Seattle arena
rock hero) and one of the guys is even named Mark Diamond! I wonder
which came first? I don't see any reason why this shouldn't be on the radio
other than the fact that the record industry doesn't own them!
-- Howard X (2001)
Mourningside - ...From Two Graves Back! - CD
(Rodent Popsicle
Records) Heavy, scary hardcore punk band. Lyrics about death and destruction
similar to black metal bands. I've never been to heavily into this style,
but still find it interesting. I think they do a decent job for a punk /
black metal band.
-- Grog Mutant (2001)
Mouse Kills Tiger - Vol. 1 - CD
(Mouse Kills Tiger) "In Review"
-- (2009)
Moxie Motive - Moxie Motive - CD
(Moxie Motive) These guys take me back to the early 90s and the height of
grunge with a nice dose of indie rock thrown in ala early Soul Asylum.
They pack a bit of the Mudhoney sound mixed with Columbus, OH pioneers
Pretty Mighty Mighty to form a sound all their own, yet at once familiar.
Moxie Motive have a hard driving, stripped down sound that stays
fresh with the addition of a violin and on one track a cello. My favorite
tracks are "Gone By Now" and the should-become-classic "Tourist."
-- Grog Mutant (2008)
Mr. Bones and the Dreamers - CD
(CatCutter Records) The two songs on this release do have potential, but
the warbling vocals (think Tiny Tim with a smooth cool voice, but
with the annoying vibrato still present) just put me off. If the songs were
sung straight on I would have enjoyed this so much better.
-- Mite Mutant (2009)
Mr. California and the State Police - Mr. California and the State Police
- 7"
(Mr. California 218 Echo Ave #1 Campbell Ca. 95008) I am amazed by all the
effort it took to get this piece of utter crap into my hands. I mean some
kid had to decide that his 4 track (again with the 4 track!) tapes of his
attempts to play punk rock were good enough to put on a single (a stretch
to say the least) fund said single, send it to The ChickenFish Speaks
where it was passed over by everyone there before it was sent on to me!
On the plus side for this whole thing is living proof that the diy attitude
is alive and well and for that Mr. California, We salute you!
-- Howard X (2001)
Mr. Centipede - A Home for Hardly Even - CD
(This Hits!)
Mr. Centipede is a guy with a Tascam, some dreams and now a CD. This
release has a very lo-fi feel and for good reason...because it is very lo-fi.
I do like his style and found many of the lyrics humorous...especially the
song "Jacking off to C-Span". The only problem I have with this release
is that it isn't really good. I mean it's OK and very cool...but the song
writing is just mediocre in my opinion. However I know several people who
would love this band and think that Mr. Centipede was one of the
best bands on the planet. So if you like lo-fi, sometimes incoherent babblings
and a sense of humor check this out.
-- Grog Mutant (2001)
Mr. Centipede- Pat Pat Patterns - CD
(This Hits!)
There was a cassette we received awhile ago by a fellow who basically tapped
his finger on a tape recorder while singing. It was horrible. This release
is a small step above that. The recording is muddy with the vocals hidden
way down in the mix most of the time. As far as stinking goes, I think rancid
poop has met it's match.
-- Mite Mutant (2002)
Mr. Meeble - Never Trust the Chinese - CD
(Meeble) "In
Review"
-- (2008)
Pete Mroz - Detachment - CD
(Pete Mroz) As much
as I'm not really into the music of Jack Johnson and the other melodic
male troubadours that have followed in his footsteps, I have to say that
I do like this CD from Pete Mroz. I think the difference is that
the others have more poppiness to their songs, but Pete's music has that
folky singer-songwriter feel to it. Now there are a few tunes where he does
get a bit too sappy, and I have to skip through the songs, so my suggestion
would be to expand the subject matter on the next release. Still, the opening
tune "Heartache and Lace" would be a bona fide hit if it managed to get
picked up by major radio stations. The follow up tune "Phone Calls", while
a bit lighter, is just as good. This is a CD that is worth the listen.
-- Mite Mutant (2008)
MultiColouredGreen - Demo - CD
(MultiColouredGreen)
One would expect a seven-song bluesy hard-rock demo from a girl/guy UK duo
to be somewhat derivative, what with the White Stripes having already
pretty much monopolized the idea. And it is on some level: the guitar is
dirty and heavy, seemingly infused with the forbidden energies of some forgotten
sexual deity, while the drums are equally loud and primal. On the other
hand, the voice is markedly different from Jack White's, and the drumming
seems to be the work someone who thinks rather a bit more about finesse
than Meg White. That aside, the songs are 100% there and the sound is furious
and kinetic. The bluesier tunes even sound like some crazed, bastard child
of Delta legends. They never stray from their path, as you might expect
from such a small combo who haven't been around much, instead sticking to
the songs and not getting too overly experimental. And best of all, you're
not distracted by the lack of instrumentation. A must for fans of both Led
Zep and punk rock.
-- Jeremy Mutant (2006)
The Multiple Cat - The Secret Of The Secret Of The Multiple Cat - CD
(Future Apple Tree
Records) This band reminds me of great 80's-90's college/indie rock/janglecore
music like The Clean and The Verlaines. Yet another fucking
weird band name, but they've got the songs to prove that they're cooler
than you or I, so it's forgiveable. The grooves are sweet (check out the
slide-and-thwack drums n' guitar funk and the ironic Bee-Gees backup
vocals on "My Year as a Girl"), and who couldn't love a band that name-checks
Robert Anton Wilson and J.R. "Bob" Dobbs in the second paragraph of the
liner notes? (If you don't know, do yourself a favor...)
What I love most about this record is its bravery and its honesty with
regard to their garagey sound - most other bands doing the high-energy and
weird-guitar thing seem to do it out of irony and smarm. In this case, their
take on other styles is the irony, keeping the basement-honed masterworks
really, really real, with no trace of apology nor heartless aping of niche
genres. (In other words, they don't sound like they'd actually rather be
Van Halen or Led Zeppelin than themselves.) The bass moves
with taste, the guitar is strummed with great zeal, the drums are generally
way fun, the singer is cool and relaxed, and the songs are nothing short
of brilliant and catchy. ("I Like a Bridge" has somehow become of my favorite
tracks lately, and "1910" is one of the coolest grooves ever.) Keyboards
are used to nice effect, augmenting but not overpowering anything else.
Patrick Stolley, who mixed this disc, did a wonderful job on the guitars,
keeping them true to tone and always interesting, yet never distracting.
Not to get fresh or anything, but this disc has got a nice package, too.
Arty bastards take a swing at pop rock and wind up making their own unique
thing. They're goofy but serious about it, and that's a great combination;
art and comedy go hand in hand: one has no business being without the other.
A must for fans of Robyn Hitchcock's late-eighties Egyptians period.
-- Jeremy Mutant (2006)
Samantha Mumba - Gotta Tell You - CD
(Interscope) Yes, this
is a pop album. So what I'm a sucker for well done pop. I think the title
track is a great danceable pop song. The second track "Body II Body" is
pretty interesting with it's sample of David Bowie's "A Space Oddity".
The rest of the album is full of really good pop. I think she's one of the
better dance pop performers out there even if she doesn't get the attention
she deserves.
-- Grog Mutant (2001)
Kaz Murphy - Home for Misfits - CD
(Kaz Murphy) I like
the CD cover of this release and the image of Kaz on the back had
me thinking of Web Wilder. While the music has a folk-sie style to
it like many of Web Wilder's tunes, that's about as close as this
disc gets. I found the music to be pretty good and the lyrics as well. The
vocals need a little bit more punch to them, but they weren't bad either.
My biggest dislike with this release is the way the vocals stand out so
much in front of the music. I would have enjoyed the harmonies as well,
but once again the main voice was so much in front that the harmonies were
fruitless. I can imagine Kaz being wonderful live where all of the
elements of a song are on a more even playing ground, but like other bands
that I saw who were great live, a lackluster production and mixing of a
CD just strips that live magic away.
-- Mite Mutant (2008)
Mushroomhead - XX - CD
(Eclipse Records)
Cleveland, Ohio metal legends, Mushroom spew forth an insane new
release. Obvious comparisons to the band Slipknot come to mind in
both appearance, and sound. Mushroomhead is composted of eight members
. Two vocalists, 2 guitarists, 2 member on keyboards and effects, a drummer
and a bassist. The music is keyboard and guitar driven hardcore metal and
metal rap. The vocals sometime sound like Pantera, sometime is sounds
like Faith No More, then they change to death metal screams, then
rap. That is enough to leave my head spinning. Mushroomhead have
a fascination with masks and costumes. Obviously the band has constant S&M
fantasies. Track one on the new CD slams in your face like Fear Factory
with blistering industrial drum blasts. This seems to be a band to experience
live. Hidden near the end of the CD is a hilarious four minutes phone call
from a black man attempting to join a Black Metal band, too funny. Now I
have a Mushroomhead CD to listed to while I play with my own mushroom
head.
-- Johnny Deathny (2001)
Muslimgauze - Abu-Dis - CD
(D.O.R.) I first came
to appreciate the music of Muslimgauze while working at WYSO. His
songs were very ambient percussive with Middle Eastern flavorings. They
were brilliant. Sad to say that Muslimgauze passed away, however,
he did leave us with the armload of re-mixes that make up this album that
he was working on at the time. While the music on this release varies anywhere
from a little to a lot of what I've heard in the past, it's still a solid
release. With 17 tunes spanning two CD's, Muslimgauze manages to
expand on his already awesome style. The ability to take the music further
is one of the signs of a great artist.
-- Mite Mutant (2001)
Mutant Press - Slave to Fashion - CD
(500
Pound Weasel Records) Mutant Press is a one man wonder who plays
music with a hard blues-rock tilt to it. The two part male vocals have a
drunk and lazy hillbilly Mick Jagger quality. While this combination
is just okay for just about all the songs on this release, it works wonderfully
for the cover of Bob Dylan's "Blowing in the Wind", which is a song
I would put on a mix CD because it is so wonderfully odd.
-- Mite Mutant (2006)
MXPX - The Ever Passing Moment - CD
(Interscope Records)
I've always liked this Christian punk-pop band. They really don't mention
religion anymore, but I assume that they still have the same feelings. The
singer sounds more and more like Bad Religion every release, which
isn't a bad thing. I'm glad to see that they're still around and rockin',
I hope they keep up it.
-- Grog Mutant (2001)
My Brother Zebulon - The Bleu Tapes - CD
(My Brother
Zebulon) Oh yeah, da 'Teve can dig what dis CD is all about, big boobied
lesbians goin' down on da 'Teve. Da first quirky song "Augmentation" is
about some chick gettin' a boob job as big as basketballs. With a girl like
that da 'Teve would almost not know what to do. Da next song on the CD is
called "Lesbians", and reminds me a bit of da band Cars Can Be Blue
meets Ed's Redeeming Qualities. Dis' song got da 'Teve wondering
why all the girls I go out with end up being lesbians. It's also weird how
dey wait until I asked dem out on a second date until dey tell me. Da song
"Die" sounds like da combination of Tom Waits & Mojo Nixon.
It's a fund & catchy song about da fact that everybody's gonna die. Da last
song on da CD, "H.F.C." is about cars and girls. Da 'Teve is no longer allowed
to drive a car, but da chicks are a different story. My Brother Zebulon
is one of dem bands dats funny and plays good music as well. 'Teve is just
dissapointed dat dis CD is only 5 songs long. You can put this release down
as 'Teve tested, 'Teve approved.
-- 'Teve (2006)
My Latex Brain - My Latex Brain - CD
(My
Latex Brain) My brain has just been violated by a rampant backwards
talking midget and his gang of spastic schizophrenics via my ear canal,
at least that’s what it felt like after I got through listening to the latest
release from My Latex Brain. They remind me a lot of the band XBXRX
in the way that there music is like a guerilla assault. Mix that with a
convulsive Brainiac drunk on beer and Boones Farm sound and you know
you have something special.
The music of My Latex Brain, rushes in, hits you in the face, grabs you by the head, flings you around and then quickly disappears. When they are done, you’re not sure which way is up. The only fault I found with this release is that it seemed over too fast. It took repeated listens to take it all in. More than once I caught myself wondering things like “is that a tabla I hear?”
The CD starts off with the brooding instrumental “Marie”, which sounded like the music of a goth/deth metal band foretelling the coming of the apocalypse. A “Twin Peaks” sound bite, electronic dance grove and rapid fire punk goodness make up the second tune on the disc “From the Suitcase to the Alley,” which clocks in at a lean 1minute 22 seconds. It goes on like this for the next 10 minutes or so, punk rock assaults, sound bites and soft interludes, till you get to the point where you are left cowering in the corner afraid to get close to the radio. Then when you finally muster up the courage to approach your stereo like a bomb that you think the fuse has gone out on (after 31 tracks of 6-second silence), they hit you one more time with the bass driven punk tune “FIN”.
So if you’re ever in the mood to lose your mind, then pop this CD in your
stereo, because My Latex Brain is the band for the task.
-- Mite Mutant (2006)
Mystechs - Escape From Planet Love - CD
(Omega Point
Records) I made the comment that 98% of the time when a CD has a cover
like this one has (cheesy pink sci-fi with Barbie dolls and two guys wielding
sex machine guns) it's going to suck. After listening to this release I
have to adjust my numbers to 99% of the time. The Mystechs manage
to take everything that was bad about '80s music (mostly bad rap, lame synth,
and electronic drums) and make it worse. Oh, and the lyrics. they suck too.
-- Mite Mutant (2007)
Mystechs - Hot Tub O' Blood - CD
(Death by Karaoke)
On this release Mystechs take on all things in the realm of heavy
metal and (as opposed to their other release where they took on the '80s)
they manage to pull it off fairly well. On the opening cut, "Death O Mattic",
they combine a Ministry-like churning guitar musical drive with a
Metallica vocal delivery. This is followed by the politico commentary
tune "Groundpounder" that System of a Down would be proud of. "Don't
bitch, don't cry, when we say jump you say how high. Break you down, shave
your head, when we say die you say how dead" is just a small sample of the
lyrics to this song which they sing with full-throttled cynicism. "Knife
in My Hand" with it's trade off of male and female vocals reminded me of
the Alice Cooper tune "Millie and Billie" while "Asteroid" sounds
like a tune that Jack Black would belt out on a Tenacious D
album.
-- Mite Mutant (2007)
Mysteriam - A Choir of Spirited Distraction - CD
(Mysteriam) I like
the vocals and some of the music on this singer/songwriter electronic synth
mash-up. The only problem is that most of the time it was just too much.
Many of the songs have the jerkiness of a Beck song. Mysteriam
does a great job on the tune "Sterling," but the song "The Mama Dance,"
which could be a great song, just falls flat due to the weak music arrangement.
I liked "Oh, Hilly!" for its simplicity, but the song "More of it" was ruined
by too much guitar. The last song of the release, "Goodbye," is basically
nice as well, but the waviness of the production made it unlistenable. In
the end I would say this band just needs to do a bit more tweaking on their
music arrangement and they might have a solid release next time out.
-- Mite Mutant (2008)
Mysteriam - Entryway - CD
(Mysteriam) Mysteriam
is an odd conflagration of soundscapes that at times work wonderfully and
at other times are annoyingly redundant. Even though many of the songs have
a gentle undertone they are not for casual listening as they usually transform
into a strong and violent storm which was brewing just below the surface.
One of my favorite tracks has change ringing as one of the layers pushing
the basic song along, which is a welcome addition.
-- Grog Mutant (2008)
Mystical Sun - Energy Mind Consciousness - CD
(Mystical Sun)
Mystical Sun plays ambient music that is primarily relaxing, but
at times it starts to approach techno / electronica. Not that it has any
hard driving beats or pumping bass, but at times it does get a bit faster
in tempo than you’d expect a standard ambient disc to have. While listening
to Mystical Sun I feel like I’m watching a documentary about ancient
civilizations and their creations. It especially makes me think of ancient
Egypt and on a few tracks the Incans.
-- Grog Mutant (2009)
Mystr Treefrog - Bats Will Scatter - CD
(Mystr Treefrog)
Hick Shtick is a good way to describe the music on this release. Mrstr
Treefrog accentuates his accent on songs like "Chickin Milk", "Rednex
N Gangstaz" and "Bible Belt." There are times when the band tries to get
a point across through their lyrics, but they can't be taken seriously since
they are basically a novelty act. Nothing I would go see.
-- Mite Mutant (2007)











